Here you can download tha carter 2 lil wayne zip Shared files found Uploaded on TraDownload and all major free file sharing websites like 4shared.com, uploaded.to, mediafire.com and many others. Just click desired file title, then click download now button or copy download link to browser and wait certain amount of time (usually up to 30. The Carter #2 (Like Father, Like Son) is an official mixtape by Lil Wayne and Birdman hosted by DJ Khaled, which was released in 2006. There are a total of 18 tracks on the tape that are leftovers from Wayne‘s Tha Carter II album and the Like Father, Like Son collaboration album.

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OutKast's 'Best New Rap Group' acceptance speech at the 1995 Source Awards has been cited again and again as the turning point for Southern Rap, the moment when it became viewed as more than a novelty and began its gradual game of catch-up to the East and West Coasts. The South, as André 3000 famously announced, did 'have something to say,' but without one nationally-recognized lyrical genius, it struggled to achieve widespread respect. The Dungeon Family, UGK, and Scarface all became household names to small sects of devotees, but for the most part, the recognition they all deserved from the rest of the country came after their respective heydays. What it took was one brash veteran younger than most rookies proclaiming himself 'best rapper alive,' no asterisks, no regional qualifiers, nothing. Ten years, four months, and three days after the 1995 Source Awards, Lil Wayne released an album that contained a track with that title, and to borrow a phrase from one of his future protegés, nothing was the same for the South in the decade that followed.

Tha Carter II arrived just 18 months after the first installment of Dwayne Carter, Jr.'s (hopefully ongoing) autobiographical series, but the 23-year-old MC seemed to have aged years since his breakout release (remarkably his fourth album, seventh if you count the Hot Boys releases). Punchlines were still his bread and butter, he still cackled like a class clown, and still only stood a few feet taller than the hood of his Rolls Royce, but the changes he did make came to define the rest of his career. Mannie Fresh's outmoded bounce was replaced by an eclectic palette of swaggering, cinematic funk. Standard flows and references evolved into dazzling displays of charisma and humor. The 32-bar-verses-into-chanted-hooks formula went out the window in favor of freestyle-esque tracks and more nuanced structuring. Instead of walking in and out to a brassy fanfare, he flew atop a magnificent beat that was equal parts delicate and driving.

He was self-mythologizing, giving himself an abundance of nicknames over 22 tracks: 'Young Tune, the big kahuna' 'a gorilla, but lighter,' 'Mr. Carter,' 'Pac-Man' ('my ghosts is blue'), 'The Fireman,' 'Heatman,' 'Weezy F. Baby,' 'Birdman Jr.,' 'Quick Draw McGraw,' 'New Orleans' finest,' 'The heart of New Orleans,' 'Ammo Mammal,' 'W-E-E, crooked letter, Y,' 'The Quarterback,' 'Black Peter Pan,' 'Automatic Weezy,' 'Young Pimpin',' 'Stunna Jr.,' 'Black Rambo,' 'Chaperone of the South,' but most importantly, the 'Best Rapper Alive.' It's doubtful that anyone would have handed him that title when his two biggest claims to fame were 'Bling Bling' and 'Go DJ,' but after crafting an expansive album that captured the country's attention without the help of big singles ('Fireman,' which didn't crack the Top 30, was the most successful), he became a viable candidate. He campaigned tirelessly for the title, appointing it to himself, reiterating it, and trying to convince voters that by ignoring him for Northern candidates (most likely Jay Z at the time), they were being 'rapper racists, region haters.' Wayne claimed to 'bear a name only one can live with' (word to 'Highlander'), and even if we didn't believe him at the time, it set off the world-conquering mixtape run that soon followed and cemented his dominance. Three years later, 2005's safe bet for the title would accept an invite to Tha Carter III.

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People debate Carters II and III as fiercely as they do Kanye albums, with the end results usually coming in at about 50/50. They're vastly different and showcase an evolution of sorts, with Weezy moving from straightforward underdog to the weirdest major label star of his time, and thusly marking the tentative beginning and end of his now-legendary '05-'08 run (some extend this to include Dedication 3 and No Ceilings). Perhaps the debate we should be having then, is not between Wayne's own projects, but between his three-year dominance and the hot streaks of other modern rappers. Jay pretty much ruled the world from Reasonable Doubt to The Black Album, but had nearly as many missteps (The Blueprint², The Best Of Both Worlds) as classics; Eminem was tough to beat from The Slim Shady LP to The Eminem Show, but stayed more insular and didn't do many features to keep his buzz up; Kanye's rarely (if ever) dipped in quality, but has never been as prolific as Wayne was during those years. Wayne dominated every aspect of the conversation in those years, from quality albums to song-stealing freestyles to song-stealing features to bar-for-bar brilliance. Even Future, whose current run may be the closest analog, can't boast the show-stopping lyrical prowess or guest verse consistency of '05-'08 Wayne. For three years, he simply could not be stopped, whether he was singing hooks, appearing alongside other 'best rapper alive' contenders, or making albums with notoriously horrible MCs.

Although it only hinted at the artist Wayne would become on the other side of that streak (discovering auto-tune, doing more and more drugs), Carter II is unquestionably the moment he seized the throne and threw open the gates for other Southern rappers. Immediately, guys like T.I., Gucci Mane, Jeezy, Curren$y, Lil Boosie and Slim Thug began getting national coverage the likes of which Bun B and Juicy J could've never imagined when they were starting out, and Weezy was even able to form a label of his own that still proves influential (despite the fact that its two most successful artists are from Toronto and Queens). Liberated from the Mannie Fresh sound that has come to earmark a certain era of New Orleans music, the album became a sonic smorgasbord from which other Southern artists drew to create their own regional sounds. As a vocal stylist and A&R, Weezy's most influential moves may have come a few years later, but as an icon, a beacon of hope for an under-appreciated region, his most powerful statement is still Tha Carter II.

American Rapper, Lil Wayne finally releases the Most anticipated Album ‘Tha Carter V‘ which has experienced several delays because of the various disputes between him and his former record label, Cash Money Records. Tracklist / 1. Tha Mobb / 2. Money On My Mind / 4. On Tha Block #1 / 7. Best Rapper Alive / 8. Lock & Load ft.

Tha Carter II is the fifth studio album by American rapper Lil Wayne. It was released on December 6, 2005, by Cash Money Records and Universal Distribution. Recording sessions took place from 2004 to 2005, with Birdman and his brother Ronald 'Slim' Williams serving as the records executive producers, while both of them enlisted the additional production on the Wayne's album such as The Runners and The Heatmakerz, among others. The album serves as a sequel to his fourth album Tha Carter (2004), and it incorporates the southern hip hop styles. The album was supported by three singles: 'Fireman', 'Hustler Musik' and 'Shooter' featuring Robin Thicke.

• 6Charts and certifications

Singles[edit]

The lead single from the album, called 'Fireman' was released on October 25, 2005. The song was produced by DVLP and Filthy. While they were recording the song at the time, both DVLP and Filthy first burst into a music scene as the production duo, called Doe Boys.

The album's second single, 'Hustler Musik' was released on January 10, 2006. The song was produced by T-Mix and the unknown producer named Batman.

The album's third single, 'Shooter' was released on April 9, 2006. The song features guest vocals from an American R&B singer-songwriter Robin Thicke, who also produced this track. The song also was later included on Thicke's then-upcoming album, titled The Evolution of Robin Thicke (2006).

Commercial performance[edit]

Tha Carter II was certified Gold status by the RIAA on January 18, 2006. After six weeks dating on March 23rd, the album was Platinum. On September 28 2006, Tha Carter 2 was certified Double Platinum for shipments of 2,000,000 copies. As of December 2006 Tha Carter 2 has sold 1.7 million copies in the United States. The sequel, Tha Carter III, was released in 2008.

Critical reception[edit]

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Upon its release, Tha Carter II received widespread critical acclaim from music critics, with several praising the lyricism and artistic growth demonstrated by Wayne on the album. AllMusic's David Jeffries praised the album's balance of 'hookless, freestyle-ish tracks' and 'slicker club singles', commenting that 'the well-rounded, risk-taking, but true-to-its-roots album suggests he can weather the highs and lows like a champion.'^[1]Entertainment Weekly's Ryan Dombal wrote that Tha Carter II 'transcends [Wayne's] inflated ego' and complimented the album's 'sturdy funk-blues tracks.. that offer genuine value'.^[3] David Drake of Stylus Magazine called the album 'one of the year's best releases' and lauded his 'entire persona, an aura, a rap creation that seems fully-developed and fascinating'.^[11] Despite writing that 'Wayne's verses need a good polish', Nick Sylvester of Pitchfork wrote that the album contains 'jaw-droppers aplenty' and complimented Wayne's growth as a lyricist, stating:

People who met Wayne on 'Go DJ' and thought him a lunchroom hack emcee – who knows what's happened since then, but damn has he learned how to write. His squeak is now a croak, his laugh a little more burly, his flow remarkably flexible. Sometimes he's deliberate like syrup cats ('But this is Southern, face it/ If we too simple then yall don't get the basics') but when he needs to be, he's nimble as that Other Carter: 'I ain't talking too fast you just listening too slow.' Remy and weed, fast things and women, the corner – these are Wayne's wax since B.G.'ing with B.G., putting piff on the campus before he ever enrolled in college.^[6]

IGN writer Jim During gave the album an eight out of ten and commented that Wayne '[punishes] the mic with hard-hitting verbal tenacity', and wrote that the album shows him 'at his most focused, and is a strong next step for a relatively young career.'^[12] Matt Cibula of PopMatters wrote ambivalently towards that album's production, writing that 'the producers here are mostly no-namers who do their jobs well but not spectacularly', but praised Wayne's 'amazing' words and remarked that 'Straws really IS the best rapper alive, at least when he tries'.^[7]

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Track listing[edit]

Sample credits

• 'Tha Mobb' contains a sample of 'Moment of Truth' written and performed by Wilson Turbinton (Willie Tee).
• 'Best Rapper Alive' contains a sample of 'Fear of the Dark' written by Steve Harris, and performed by Iron Maiden.
• 'Grown Man' contains a sample of 'Sparkle' written by Paul Harden, and performed by Cameo.
• 'Receipt' contains a sample of 'Lay-Away' written by O'Kelly Isley, Jr. and Ronald Isley, and performed by The Isley Brothers.
• 'Shooter' contains a sample of 'Oh Shooter' written by Robin Thicke, Robert Daniels, James Gass and Robert Keyes, and performed by Robin Thicke, and contains the interpolation of 'Mass Appeal' performed by Gang Starr.
• 'I'm a D-Boy' contains a sample of 'Paid in Full' written by Eric Barrier and William Griffin, Jr., and performed by Eric B. & Rakim.
• 'Get Over' contains a sample of 'Love Is What We Came Here For' written by Phill Hurtt and Walter Sigler, and performed by Garland Green.

Personnel[edit]

Credits for Tha Carter II adapted from Allmusic.^[13]

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Charts and certifications[edit]

Certifications[edit]

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References[edit]

1. ^ ^abJeffries, David. 'Tha Carter II – Lil Wayne'. AllMusic. Retrieved February 2, 2012.
2. ^'Lil' Wayne: Tha Carter II'. Blender. Archived from the original on January 13, 2006. Retrieved November 25, 2017.
3. ^ ^abDombal, Ryan (December 9, 2005). 'Tha Carter II'. Entertainment Weekly (853): 88. Retrieved February 2, 2012.
4. ^Westhoff, Ben (December 5, 2014). 'Lil Wayne's Tha Carter series, from best to worst'. The Guardian. Retrieved November 25, 2017.
5. ^Hardimon, Zharmer (December 18, 2005). 'N'awlins son keep things interesting'. Houston Chronicle. Retrieved November 25, 2017.
6. ^ ^abSylvester, Nick (January 12, 2006). 'Lil Wayne: Tha Carter II'. Pitchfork. Retrieved June 17, 2015.
7. ^ ^abCibula, Matt (January 25, 2006). 'Lil' Wayne: Tha Carter II'. PopMatters. Retrieved February 2, 2012.
8. ^Hoard, Christian (November 28, 2005). 'Lil Wayne: Tha Carter II'. Rolling Stone. Retrieved June 17, 2015.
9. ^Jones, Steve (December 12, 2005). 'Lil' Wayne, Tha Carter II'. USA Today. Retrieved June 17, 2015.
10. ^Christgau, Robert (February 14, 2006). 'Consumer Guide: Forever Young'. The Village Voice. Retrieved June 17, 2015.
11. ^'Lil Wayne - The Carter II - Review'. Stylus Magazine. Retrieved 2015-06-17.
12. ^IGN review
13. ^'Tha Carter II > Credits'. Allmusic. Rovi Corporation. Retrieved December 10, 2011.
14. ^'Lil Wayne Album & Song Chart History: Billboard 200'. Billboard. Prometheus Global Media. Retrieved December 10, 2011.
15. ^'Lil Wayne Album & Song Chart History: R&B/Hip-Hop Albums'. Billboard. Prometheus Global Media. Retrieved December 10, 2011.
16. ^'Lil Wayne Album & Song Chart History: Rap Albums'. Billboard. Prometheus Global Media. Retrieved December 10, 2011.
17. ^'2006 Year-End Charts – Billboard 200 Albums'. Billboard. Prometheus Global Media. Retrieved February 28, 2015.
18. ^'2006 Year-End Charts – Billboard R&B/Hip-Hop Albums'. Billboard. Prometheus Global Media. Retrieved February 28, 2015.
19. ^'2006 Year-End Charts – Billboard Rap Albums'. Billboard. Prometheus Global Media. Retrieved February 28, 2015.
20. ^'American album certifications – Lil Wayne – Tha Carter, Vol. 2'. Recording Industry Association of America. September 28, 2006. Retrieved December 10, 2011.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.

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