Spectrum was the most high-profile and straightforward of the projects undertaken by Pete 'Sonic Boom' Kember after the demise of the trance-rock avatars Spacemen 3. As his work as a member of the Experimental Audio Research coterie allowed Kember the opportunity to explore ambient textures and tonal constructs, Spectrum satisfied the singer/guitarist's more conventional pop leanings, while never losing sight of the hypnotic otherworldliness which became his music's trademark and legacy. The name Spectrum initially appeared as the title of the first Sonic Boom solo album, released in 1990 before the break-up of Spacemen 3; a collection of ethereal, nearly formless songs, Spectrum openly acknowledged Kember's debt to Suicide with its cover of the duo's 'Rock 'n' Roll Is Killing My Life.' Meanwhile, the Kember half of the Spacemen 3 swan song Recurring, with its tighter, more structured songs (like the gentle wash of 'Just to See You Smile'), offered an even stronger indication of things to come. After the break-up of Spacemen 3, Sonic formed Spectrum with guitarist Richard Formby and bassist Mike Stout, along with contributions from Pat Fish (a.k.a. the Jazz Butcher). After a series of singles, the band issued its debut Soul Kiss (Glide Divine), a sprawling collection of tranquil, luminous retro-pop, in 1992. At the end of the year, Formby was replaced by former Darkside guitarist Kevin Cowan, and in 1993, the group released Indian Summer, an EP of covers. After Kember spent much of the next year working on Experimental Audio Noise Research projects, Spectrum -- now rounded out by guitarist Scott Riley, programmer Alf Hardy, and ex-Spacemen 3 bassist Pete Bassman -- released the 1994 LP Highs, Lows and Heavenly Blows, another narcotic collection which explored unique scales and compositional structures. Another layoff followed as Sonic Boom resumed work on his other projects, but in 1996 Spectrum teamed with the Seattle band Jessamine for a joint release titled A Pox on You; at the end of the year, they also issued an EP, Songs for Owlsey. The full-length Forever Alien appeared in 1997. A second collaboration with Jessamine as well as work with the Silver Apples followed. 'Sonic Boom' was the alias of Pete Kember, best known as the singer-guitarist in the legendary hypno-drone unit Spacemen 3. A native of Rugby, England, while attending art college Kember teamed with Jason Pierce to form Spacemen 3, recording a demo tape in 1986; after signing to Glass Records, the group recorded their debut LP Sound of Confusion, for which Kember adopted the name Peter Gunn. By the time of their follow-up EP Walkin' with Jesus, he had rechristened himself Sonic Boom, keeping the pseudonym for the duration of his career. In 1990 he issued his lone solo LP, Spectrum; after the 1991 swan song Recurring, Sonic recycled the Spectrum title as the name of his new band, which debuted with the LP Soul Kiss (Glide Divine). Sonic Boom was also the driving force behind the Experimental Audio Research project, a loose configuration of musicians which included My Bloody Valentine's Kevin Shields. NEW SPECTRUM ALBUM INFORMATION The new Spectrum album has the working title 'On the Wings of Mercury' and is going to be released on Space Age Recordings sometime late this year, hopefully. The record is a mix between 'Highs Lows and Heavinly Blows' and Spacemen 3's 'Perfect Prescription'. Sonic Boom, Alf Hardy, Willie B. Carruthers, Randall Nieman, Rick Maymi and Dean Wareham are involved with the making of this album. |
Spectrum Highs Lows And Heavenly Blows Rare
Spectrum Highs Lows And Heavenly Blows Rare
Following the Indian Summer EP — politely restrained three-man covers of Beat Happening, Bo Diddley, Daniel Johnston, Jan and Dean and, on the self-titled US equivalent, the 13th Floor Elevators — Highs, Lows and Heavenly Blows (previewed on Undo the Taboo, with three non-LP items) strips away most of the exoskeleton that held up the songs. Find many great new & used options and get the best deals for SPECTRUM 'Highs, Lows And Heavenly Blows' Ltd. Edition 180g RED Vinyl LP SEALED at the best online prices at eBay! Spectrum Highs, Lows and Heavenly Blows (1994) 29: 29. Tame Impala Innerspeaker (2010) 28: 28. 35007 Liquid (2002) 27: 27. Acid Mothers Temple & The Melting Paraiso U.F.O. Crystal Rainbow Pyramid Under the Stars (2007) 26: 26. Spiritualized Lazer Guided Melodies (1992) 25: 25. Amorphous Androgynous A Monstrous Psychedelic Bubble Vol 1: Cosmic.
Listen to Highs, Lows And Heavenly Blows on Spotify. Spectrum Album 1994 9 songs. Highs, Lows and Heavenly Blows (1994) フォーエヴァー・エイリアン Forever Alien （1997年） Live Chronicles Vol. 1 （2001年） Live Chronicles Vol. 2 （2001年） リフラクションズ Refractions: Thru the Rhythms of Time 1989-1997 （2004年） Spectrum meets Cpt. Memphis - Indian Giver （2008年） E.A.R.
Working with guitarist and sometime vocalist Scott Riley, as well as regular collaborators Pete Bain aka Bassman from Spacemen 3 and Alf Hardy, Sonic led a new version of Spectrum into murkier waters with the low-key but quietly powerful Highs, Lows and Heavenly Blows. There's nothing like 'How You Satisfy Me' and its immediate pop blast here, while the generally lighter and more gently spaced tones of Soul Kiss as a whole are mostly absent until the album's conclusion. There the wistful amble of 'Don't Pass Me By' and the similarly minded 'I Know They Say' help set up the great conclusion, 'Take Me Away,' as pristine a psych confectionery as there'll ever be, with the pace and delivery of the best lullaby around. Other inspiration comes in part from the freeform work on the first Experimental Audio Research releases, only here meshed, at least part of the time, with song structures. Subtle ones, admittedly -- 'Undo the Taboo' makes for one heck of a minimal (to the point of almost nonexistent) melody and understated delivery, and that was the single from the album. 'Take Your Time' is almost an anthem in context thanks to the great lead piano/keyboard melody, a drawing on the blues/gospel roots that helped inform some of his best work as much as his old bandmate Jason Pierce's. Other songs call to mind earlier Sonic highlights -- 'Then I Just Drifted Away' uses the spoken word/steady pace approach familiar from songs like Spacemen 3's 'Ode to Street Hassle' and his solo single 'Angel,' only even more sedated, slurred, and completely floating. Elsewhere, Sonic's increasing tendency toward freeform exploration comes to the fore, resulting in the instrumental work of tunes like 'Feedback' (living up to its name, if very beautifully sculpted and arranged feedback).